My weekly writers critiquing circle yesterday took
their red pens to my newest chapter in Defiant Honor, the third and concluding book in my McBee
Civil War saga. This chapter contained nothing but Major McBee in the battle of
The Wilderness, which was another of those mega-battles during which the fate
of the Confederacy hung by a thread. Borrowing the over-quoted words of the Duke of Wellington after the
battle at Waterloo, The Wilderness was also “a near run thing.”
Anyway, the good news about the chapter’s peer
review was that my fellow writers all said nice things about it. They did not
even object to my including a few paragraphs focused on a cannon ball. It was a small cannon ball, but I still fretted
that the group members would lose their bearings when I shifted my narrative
from the main character they’ve come to know, to a chunk of iron.
The bad news is I fear that after two and a half
books of battle after battle, I may have jaded my critique group members and
they are really saying, “OK, that’s fine, another battle, I get it. Now take me
back to the ladies and the personal conflicts.” I’ll just have to trust they really did get
involved with the drama of the battle.
To finish the chapter, I spent an hour researching
the history of Plaster of Paris as a medical technique used to treat broken
bones. The gooey stuff really does apparently have a provenance in Paris,
France. It seems that after the
Napoleonic Wars, during the ongoing violent rioting in Paris, a few military
doctors experimented with wall-plaster-soaked-gauze as a wrap to hold broken
bones in place. The British army then picked up the technique during the 1850’s
Crimean War.
By the time our Civil War started in 1861, word of
Plaster of Paris’s success had crossed the ocean, and a few forward-thinking
doctors began trying it. Of course, awareness of Plaster of Paris wraps didn’t
slow down the standard treatment of amputating damaged arms and legs, hands and
feet. And I doubt any of the plaster casts were red, blue, or green like our
son’s leg cast was once upon a time.
Last weekend, Nita and I attended a Christmas play
at the local community theater. It’s a purely Texas play, west Texas, at that.
The name is “A Tuna Christmas.” It was written some 25 years ago and first performed
by two Austin actors who grew up in very small towns in west Texas. All dozen
or so of the characters, including women, were done by the two men in the
original performances in Austin.
We saw it, loved it, recognizing too many of our
own small-town family members in the Tuna, Texas characters. We howled and
chuckled. Damned clever. Damned insightful. So much so, A Tuna Christmas left
Austin and went to Broadway where it gained national acclaim, and now A Tuna
Christmas is done all over the country. I reckon small towns, north, south, east, and west, share a
lot of traits.
We also loved our local amateur performance, even
if it took a lot more than two gifted actors to pull it off. It helps that one
of the original two writers and actors, Jaston Williams, moved to our little
town of Lockhart a few years back. He
and his partner had gone to China and adopted a son, and likely wanted to shift
to life in a small town. They have become welcomed “Lockhartians.” Jaston didn’t
act in our amateur production of his own play, but he did show up at rehearsals
from time to time to cheer them on.
One of the first things I noticed in A
Tuna Christmas this time was an oft-overlooked eccentricity of small
town dialect that happens when the two conversationalists know each other very well. The
second speaker doesn’t need to say much, but understands it would be rude to
say nothing in reply.
Person One: “It’s colder than a well digger’s ass
out there.” Second person: “It is.”
That’s all. “It is.”
Or, first person, “That boy is dumb as a stump.”
Second person, “He is.” Of course, if it were a girl being called dumb in the
South, “Bless Her Heart,” would follow just sure as stink after a fart.
Leaving Tuna, Texas behind, I hope you all are shopping for that just-right
gift for your sweetheart and family members. I hope you all are remembering the
gift of a donation to any of the deserving charities in your part of the world.
In this season, where we pay homage to the child of a teenage
mother who miraculously had a son, even though a “virgin,” it seems a good time to reflect that families
grow in all sorts of unconventional ways.
Nita, the love of my life, is an adopted daughter.
We have a grandson who came into the world through
an “in vitro” pregnancy.
Two months later we gained two wonderful
granddaughters when our other son said, “I do,” to a beautiful young woman
whose first marriage didn’t work.
Finally, just yesterday, our nephew and niece and
their three biological kids who live in Atlanta, Georgia, returned from
China with an adopted fourth child, a son named Caleb.
All of those "second-chance" means of filling the family quiver
are wonderful things. They are.
Nice post, a little all over the place, but I liked it! Glad you liked Tuna, too, though I daresay, the theatre might take offense of being called amateur, though a better word I cannot think of. LOL
ReplyDeleteAnd I really did enjoy the bit with the cannon ball. I was "all in" and loved that little side trip! Can't wait to read the next chapter and get out my red (or in my case sometimes purple or turquoise) pen.
Happy Christmas!
~ Tam Francis ~
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