I've
just finished reading the hardback book I bought at our Lockhart Evening With the
Authors fund-raising event. It's the first in a series of 1800's US
Navy adventure novels, The
Shores of Tripoli.
Just
for fun, I'm throwing out some comparisons of the The Shores of Tripoli
to my about-to-be self-published novel about the Texas Rangers in 1855--A Different Country Entirely.
I paid $28 plus tax for the Tripoli novel I bought from the Barnes and Noble table at the event, and it was published by Putnam Co. His book is going through a gatekeeper publishing house, and mine is going directly from my house to Amazon. No gatekeeper, no national distribution.
I'll
charge $15 on Amazon for A
Different Country Entirely. His Kindle edition is $14, and I'll
charge $4 or $5. We'll both be on Amazon, but I'll only be on Amazon, and he'll be in
Barnes and Nobles stores and libraries nationwide He'll sell
thousands of copies, maybe tens of thousands. I'll sell dozens, maybe hundreds.
I
sat with James Haley, the author of the Tripoli book
for over an hour as his table host, so I heard him say quite a few
things. Among them that he was contacted and contracted by Putnam to write the
six-book series--one book a year, which is the pace I've been writing, editing,
and publishing my 'craft' novels while I enjoy retired life.
I
hope you might read both books with an eye for how they are similar and
different.
Here's
my own take: I think A
Different Country Entirely compares darned well with his Tripoli book.
Little modest unbiased me.
I
think my characters, historical and fictional, are as robust as his, and I
think my dialogue is better. His characters speak as authors wrote in the
early 1800's--more formally and sometimes stilted. My characters speak
as I've heard Texans speak since the 1950's.
He
covers more macro-history context, but almost lectures it from time to time.
We
both only included only one sex scene, and both scenes are to provide a
sympathetic character an introduction to the joy of sex by a willing young
women in an odd situation, and both scenes somewhat stretch things.
We
both get mileage from anecdotes about farting. (Some men never grow up. Instead
we write adventure novels.)
Both
stories have a likable character who is a military officer son of a wealthy
North Carolina plantation owner who defends the practicality of slavery to his
main character friend.
Both
have military captains--mine of Texas Rangers, his of warships--who are
flawed and aggressive and self-promoting as they blunder along more or less
doing what their political bosses want.
Both
have slave characters who are smart and likable. Mine has a larger
role.
Both
novels are definitely from a white American male perspective of the world
and don't wash out the racism that permeated our culture in the 1800's. His is
quite critical of the Arab world through the lens of the American navy
officers, with a shot or two at the British. Mine reflects the Texas Rangers'
casual violence towards Mexicans, Blacks, and Native Americans, with a gig
or two at the French and German settlers in Texas as well.
Both
use subterfuge to lure the enemy close. He uses flags flown by warships. I use
a badly made dummy of a woman.
He
works released caged lions into a battle. I don't, but wish I
could have.
Both
use letters written by the main character to others to review the
reader of what he just read. I think I do
that less obviously than he.
Both
have an Afterword to tell readers which characters and events are
fictional and which are historical.
My
thanks to author Haley for the use of his novel as a
serendipitous foil for mine.
I'm
finishing the final editing and Kindle formatting of A Different Country Entirely
and will post in large letters when its available on Amazon sometime very soon.
A week or two from now, I hope.
Have
a fun Halloween!
I paid $28 plus tax for the Tripoli novel I bought from the Barnes and Noble table at the event, and it was published by Putnam Co. His book is going through a gatekeeper publishing house, and mine is going directly from my house to Amazon. No gatekeeper, no national distribution.
While my
main character is a young early Texas Ranger off on a politically
complicated, ill-advised mission into a forbidden land, his main character is a
young US Navy officer off on a politically complicated, ill-advised mission
into forbidden waters--and land.
We both sent our main character to rescue maidens fair taken by the indigenous people of the desert. And surprise, both succeed, his with benefits, mine not so much.
We both sent our main character to rescue maidens fair taken by the indigenous people of the desert. And surprise, both succeed, his with benefits, mine not so much.
I
think I do better at painting a feel for the details of the main
character's environment while on the military missions, but maybe not.
Both
have battles in which American firepower prevails, but in the end the Americans
captains confront that they are far from home and short of men and supplies.
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